Walking round a Japanese bridge

efter Kawase.

Flooded brook (climate work)

160x120cm

80×120 cm

Utställning i Bukarest med Samisk Aktivism

Mina Stockholmshistorier

Extremväder 2022-2023

   

Matprivilegium 2023

Där floden flyter fram, 2022 (Vida Konsthall, Öland och Galleri Blå, Båstad)
 

 

Alléer, gläntor och floder. 2021-

The iceberg theory. 2020-ongoing.

Darkness by the river. 2020-ongoing

Ruins in Ruins, 2018-2020
 

New landscapes, 2016-2019.220x120cm

60x80cm

60x80cm

60x80cm

News reflections. 2006-2016

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Darker constructions, 2005-2015

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Flower confrontation, 2004-2005, 2018-2019

Perviously Anckarsvärd would pass the dutch 17th century flower still life paintings rather swiftly. However, a habit of confronting my antipathies made him work with these motifs for several years. The original paintings are rich of symbols and references. Anckarsvärd’s versions appear to have been performed swiftly yet hold the “memento mori” atmosphere close.

At the waterfront, 2000-2016
   

Everyday, 2000-2001

The “Everyday”-news paintings started while still in college at Glasgow School of Art. One painting was made each day for half a year , the image selected from international press. The selection process often took longer than the painting itself. Anckarsvärd returned to this subject matter both 2009, 2011 and 2012.
Previously shown at Konstakademien, Galleri Svenska Bilder and at Assembly Gallery (GSA).